List of bibliographic references indexed by Queen Elizabeth
Number of relevant bibliographic references: 87.
[0-50] [
0 - 20][
0 - 50][
50-70]
Ident. | Authors (with country if any) | Title |
---|
000006 (2012) |
Yael Sela Teichler | My Ladye Nevells Booke: music, patronage and cultural negotiation in late sixteenth‐century England |
000010 (2011) |
Arthur F. Marotti ; Steven W. May | Two Lost Ballads of the Armada Thanksgiving Celebration [with texts and illustration] |
000016 (2011) |
Kerry Mccarthy | Philips's 1628 Paradisus and the triumph of the Eucharist |
000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
000041 (2010) |
A. L. Babington [Royaume-Uni] | Early British song |
000046 (2009) |
Julia D. Staykova [Canada] | The Augustinian Soliloquies of an Early Modern Reader: A Stylistic Relation of Shakespeare's Hamlet? |
000052 (2009) |
Raymond G. Siemens [Canada] | Henry VIII as Writer and Lyricist |
000056 (2009) |
Philip Taylor | Celebrating Byrd |
000083 (2008) |
Kerry Mccarthy [États-Unis] | Byrd's Patrons at Prayer |
000088 (2008) |
Leslie C. Dunn [États-Unis] | Recent Studies in Poetry and Music of the English Renaissance (1986–2007) |
000095 (2007) |
Regula Hohl Trillini [Suisse] | The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender |
000096 (2007) |
Kerry Mccarthy [États-Unis] | Tallis, Isidore of Seville and Suscipe quaeso |
000108 (2007) |
| Abstracts |
000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
000159 (2005) |
| Annual Index |
000169 (2004) |
Kerry Mccarthy | William Mundy's ‘Vox Patris Caelestis’ and the Assumption of the Virgin Mary |
000170 (2004) |
Malcolm Rose | The history and significance of the Lodewijk Theewes claviorgan |
000173 (2004) |
Kerry Mccarthy | Byrd, Augustine, and Tribue, Domine |
000194 (2003) |
Craig Monson | The Composer as ‘Spy’: The Ferraboscos, Gabriele Paleotti, and the Inquisition |
000270 (2000) |
Albert Chatterley | THOMAS WATSON AND THE ‘ELVETHAM ENTERTAINMENT’ |
000288 (1999) |
Jeremy L. Smith | FROM ‘RIGHTS TO COPY’ TO THE ‘BIBLIOGRAPHIC EGO’: A NEW LOOK AT THE LAST EARLY EDITION OF BYRD'S ‘PSALMES, SONETS & SONGS’ |
000302 (1998) |
John Harley | NEW LIGHT ON WILLIAM BYRD |
000309 (1997) |
Bruce I. Miller [États-Unis] | ‘TRIAL BY JURY’, ED. STEVEN LEDBETTER |
000311 (1997) |
David Mateer | WILLIAM BYRD'S MIDDLESEX RECUSANCY |
000315 (1997) |
John Caldwell | REVIEWS OF BOOKS |
000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
000374 (1993) |
Michael G. Brennan | SIR CHARLES SOMERSET'S MUSIC BOOKS (1622) |
000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
000396 (1991) |
Mauro Uberti | Vocal techniques in Italy in the second half of the 16th century |
000405 (1991) |
David Greer | Manuscript Additions in Early Printed Music |
000409 (1991) |
Mark Eccles [États-Unis] | Elizabethan Actors I:A–D |
000421 (1990) |
John Manning | Whitney's Choice of Emblemes: a reassessment |
000515 (1982) |
Eric Van Tassel | Recordings |
000525 (1982) |
Denis Stevens (musicologue) | A Songe of fortie parts, made by Mr. Tallys |
000529 (1981) |
Diana Poulton | The black-letter broadside balled and its music |
000556 (1979) |
David G. Mateer | JOHN SADLER AND OXFORD, BODLEIAN MSS MUS. e. 1-5 |
000571 (1978) |
Peter Willsher | Recordings: Quarterly checklist—23 |
000585 (1978) |
A. J. Colaianne ; W. L. Godshalk | RECENT STUDIES IN SIDNEY (1970–77) |
000591 (1977) |
Henry Leland Clarke | REVIEWS OF RECORDS |
000597 (1977) |
G. A. Philipps | CROWN MUSICAL PATRONAGE FROM ELIZABETH I TO CHARLES I |
000605 (1976) |
G. A. Phillpps | PATRONAGE IN THE CAREER OF THOMAS WEELKES |
000613 (1975) |
Steven W. May | THE AUTHORSHIP OF ‘MY MIND TO ME A KINGDOM IS’ |
000640 (1973) |
Frank J. Fabry | Sidney's ‘Poetry and Italian Song‐Form |
000653 (1970) |
Gerald W. Spink | WALTER SCOTT'S MUSICAL ACQUAINTANCES |
000654 (1970) |
Thomas Harmon | THE PERFORMANCE OF MOZART'S CHURCH SONATAS |
000656 (1970) |
Paul Doe | TALLIS'S ‘SPEM IN ALIUM’ AND THE ELIZABETHAN RESPOND-MOTET |
000658 (1970) |
R. W. | REVIEWS OF BOOKS |
000660 (1970) |
P. F. W | COLLECTED EDITIONS |
000661 (1970) |
David Clegg | A BARTOK ENQUIRY |
000672 (1968) |
Charles W. Warren | MUSIC AT NONESUCH |
000682 (1967) |
A. Hyatt King [Royaume-Uni] | Reviews |
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